Daniel won his spot at Carnegie Hall with a video submission of Aaron Copland’s zippy The Cat and the Mouse about a year ago. Sunday recital in Weill Recital Hall in New York, he’ll play Chopin’s Fantasie-Impromptu, which contains the melody upon which the song I’m Always Chasing Rainbows is based. On Sunday, a big one will come to fruition when he makes his Carnegie Hall debut on piano after placing third in his age division in the American Protégé International Piano Competition.Īt the 11:30 a.m. Patrick’s Cathedral and Carnegie Hall in one day, that’s a pretty great day for a 12-year-old.”Īkron musician Daniel Colaner, 12, has always been excited and motivated by setting goals. He said he has “no idea” how he could top this experience. Being able to control this huge wall of sound that covers the entire cathedral was just incredible,” Daniel said.
His mom added that she and his father, Dan Colaner, are beyond proud of his accomplishments, “Not just proud, but incredibly blessed to see Daniel healthy, happy and able to do something he absolutely loves.”ĭan and Marie Colaner watched as their son who overcame cancer as a child became a remarkable pianist.Īs if Carnegie Hall was not enough, the young pianist is an accomplished organist as well and played at St. “Chempotherapy is both a blessing and a curse, and in very small children at 6 months old they basically bring you to the point of death and hope that they kill all of the bad cells and leave enough of the good ones for you to recover,” Daniel’s mother, Marie Colaner, said. To keep his brain developing, doctors encouraged playing music and during his early years of chemotherapy and treatment, piano became a part of his recovery as he fought the cancer to develop normally. The playing was “always kinetic.At one point, he was given just a 25 percent chance to survive, his family said. His opening solo playing made those thick chords glow with anticipation and helped make the orchestral entrance more than usually dramatic,” wrote Inquirer music critic Daniel Webster of a 1993 performance of Rachmaninoff’s Piano Concerto No. His career of recitals, chamber music and concertos with major orchestras spanned decades.Ĭritics admired his intensity. He enrolled at the Peabody Institute when he was 20, studying with Leon Fleisher while already landing concert dates with the Boston Symphony Orchestra and National Symphony.
At the Philadelphia Musical Academy (which later merged with the University of the Arts), he studied piano with Genia Robinor, a pupil of the legendary Theodor Leschetizky and others and composition, theory and music history with Joseph Castaldo.Ī competition with the Philadelphia Orchestra won him the performance with the ensemble at age 10, and he had another at 14.
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As a boy he would sometimes play hooky from school, escaping to the Free Library of Philadelphia to soak in recordings of famous pianists. Watts was born in Nuremberg, Germany, in 1946, and at age 8 moved to Philadelphia with his family and piano into a rowhouse at 62nd and Market Streets.
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He wowed the TV audience with Liszt.Ī little more than two weeks later, he was waiting for his lesson at the Philadelphia Musical Academy when the manager of the New York Philharmonic called, inviting him back to step in for an ailing Glenn Gould. Watts before a New York Philharmonic Young People’s Concert in 1963 that was broadcast nationwide. He was a “sensitive-faced 16-year-old boy from Philadelphia,” Leonard Bernstein said in introducing Mr. ‘’You knew immediately that this was a big talent, that he would have a career.” Between his first performance in 1957 - when he was 10 - and his last in 2014, he performed Brahms, Chopin, Liszt, Beethoven and Rachmaninoff with the Philadelphians in nearly 130 concerts in Center City and Fairmount Park, at Carnegie Hall and the United Nations, and across the country.Įven as a child, he had the “gift of poetry,” Philadelphia Orchestra associate conductor William Smith told The Inquirer in 1984.
From 1971 until 2014, hardly a season went by without at least one visit from the charismatic pianist, and sometimes there were several. Watts was one of the most popular soloists in the Philadelphia Orchestra’s history.
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